larvatus: (Default)
Responding to tepid box office for his latest venture into transgressive ersatz hardcore, Ang Lee is developing a simultaneous sequel to his two greatest hits to date, tentatively entitled Crouching Penis, Hidden Arsehole.
larvatus: (Default)

“At 1216 hours, [Senator Larry] Craig [(R-Idaho)] tapped his right foot. I recognized this as a signal used by persons wishing to engage in lewd conduct. Craig tapped his toes several times and moves his foot closer to my foot. I moved my foot up and down slowly. While this was occurring, the male in the stall to my right was still present. I could hear several unknown persons in the restroom that appeared to use the restroom for its intended use. The presence of others did not seem to deter Craig as he moved his right foot so that it touched the side of my left foot which was within my stall area,” the police report states.
larvatus: (Default)
The popping sound you never hear:
Your head departing from your rear.


Donald Pleasence and Françoise Dorléac in Roman Polanski’s Cul-de-sac
larvatus: (Default)
A British zoo announced yesterday that virgin birth of five Komodo dragons does not add up to a quintuplet reptile messiah.

A baby Komodo dragon is held by a keeper after hatching at Chester Zoo in Chester, northern England, January 22, 2007. Flora, a Komodo dragon who has never mated or even mixed with a male, became a mother and father of five this week, British scientists said on Wednesday.
REUTERS/Phil Noble
In unrelated news, science sheepishly pledges to empower identification of embryonic homosexuals, instilling fears that prospective parents hopeful of grandparenthood might abort foeti who are identified as such. Read more... ) When will science deliver the red-blooded male’s prerogative, a woman who sucks and fucks till midnight and then turns into a pizza and a six-pack?
larvatus: (rock)
     cum suis vivat valeatque moechis,
quos simul complexa tenet trecentos,
nullum amans vere, sed identidem omnium
ilia rumpens;

nec meum respectet, ut ante, amorem,
qui illius culpa cecidit velut prati
ultimi flos, praetereunte postquam
tactus aratro est.
     Memoria teneo Milesiam quandam mulierem, cum essem in Asia, quod ab heredibus secundis accepta pecunia partum sibi ipsa medicamentis abegisset, rei capitalis esse damnatam; nec iniuria quae spem parentis, memoriam nominis, subsidium generis, heredem familiae, designatum rei publicae civem sustulisset.
I recall that, when I was in Asia, a certain Milesian woman was convicted of a capital crime, because she had brought on abortion by medicines, having been bribed to do so by the heirs next in line; and rightly so, inasmuch as she had abolished the hope of the father, the memory of his name, the supply of his race, the heir of his family, a prospective citizen of the republic.

 — for R..... Y.... W...    


City bustle. Fading light.
You’ll have company tonight.
At your service, all your men.
They will make you whole again.

Rig your hopes and tell you lies.
Bust a nut between your thighs. 
Fart and snore and pay no heed
While dreams dwindle and recede.

Others not so long ago
Lit you up and made you glow,
Nights fulfilled you, but the dawn
Found you wan and woebegone.

Lest your gloom ensued in spawn
Its conclusion got withdrawn:
Scrape the foetus from within,
Glom more solace for your skin.

City bustle. Fading light.
You will sleep alone tonight.
One good woman, no good men.
Love can’t make you whole again.
Amours de voyage I have allowed myself to call them, as distinguished from the love we may have for localities wherein our everyday lot is cast.”
— Vernon Lee, Genius Loci, 1898
larvatus: (Default)
    Pat Garrett: Say, I understand those Mexican señoritas are still pretty as ever down there.
    Holly: Yeah?
    Pat Garrett: Yeah. [Holly smiles.]
    Holly: Yeah.
    Luke: Yeah. [Luke smiles.]
    Billy the Kid: I know one’s waiting on you, hoss, with a knife. Remember them sisters?
    Pat Garrett: No. Which ones were they?
    Billy the Kid: That one you got up and asked how much you owed her. And she said. “Whatever you think it’s worth.” You threw a dime on her pillow. And the girl said, “If that’s all it’s worth, I might as well sew it up.” And Pat — [Billy laughs] — Pat said, “You could use a few stitches.” [Pat nods; Billy pauses; Holly and Luke laugh.] I didn’t feel she did.
    Pat Garrett: Son of a bitch. Come on, I’ll buy you a drink.
— Sam Peckinpah, Rudy Wurlitzer, Pat Garrett & Billy the Kid, 1973
larvatus: (Default)
In honor of the winter solstice marking [info]larvatus’ first anniversary on LiveJournal, your host offers this valediction to all literary consumers:
amat qui scribit, pedicatur qui legit,
qui auscultat prurit, pathicus est qui praeterit.
ursi me comedant et ego verpam qui lego.
Who writes loves, who reads is reamed,
who listens itches, who walks by is a catcher.
May bears gobble me, and I who read, a boner.
― translated by MZ

larvatus: (Default)
Here Catullus is concerned with the power relations between poet and reader, and he begins with a phallic threat that reverses the position that Furius and Aurelius, as readers of Catullus’ titillating verse, have adopted in relation to the poet who speaks in the style of an effeminate:
Pedicabo ego vos et irrumabo,
Aureli pathice et cinaede Furi,
qui me ex versiculis meis putastis,
quod surit molliculi, parum pudicum.

I’ll bugger you and make you eat it,
Aurelius you queer and Furius you pansy,
who read my verses and concluded,
because they’re soft, that I’m not straight. (16.1-4)
Catullus claims that his performance turns his audience into excitable pathics. His verses have charm and bite only
si sunt molliculi ac parum pudici,
et quod pruriat incitare possunt,
non dico pueris, sed his pilosis
qui duros nequeunt movere lumbos. (8-11)

if they’re a little soft and not quite straight,
and can incite a tingling,
not in boys, I say, but in these hairy types,
whose stiff flanks don’t know how to undulate.
Read more... )
▬▬▬
    — William Fitzgerald, Catullan Provocations: Lyric Poetry and the Drama of Position (Classics and Contemporary Thought, 1), University of California Press (November, 1999), pp. 49-50
larvatus: (rock)
    Can we regard Socrates and Alcibiades as erastes and eromenos?
    Starting in his adolescence, Alcibiades was a student, and a follower, of Socrates. Both of them used erotic language in speaking to, and of, each other. Is it reasonable to identify their relationship as paederastic? Read more... )
larvatus: (Default)
    Two schnorrers [Jewish hobo-beggars] are discussing Einstein’s theory. One explains to the other patiently that, “All it means is that everything is relative. It’s like this, but it’s also like that. It’s entirely different, but it’s the same thing. You understand?” “No,” says the other schnorrer; “could you give me an example?” “Of course. Let’s say I fuck you in the ass. I have a prick in the ass, and you have a prick in the ass. It’s entirely different, but it’s the same thing. Now do you understand?” “Ah-hah!” agrees the other; “but I got one question: this way Einstein makes a living?”
    — Gershon Legman, origamist and cunning linguist extraordinaire, Rationale of the Dirty Joke, Second Series

German Jewish Dueling Fraternity, 1907
    A schnorrer addresses his prospective benefactor outside of a tavern: “Tell me, reb Schmuel, why is it that when I piss, it sounds like a rusty faucet leaking, but when you piss, it sounds like a mighty river flowing?” The pillar of his community glances down and replies: “I say, Moishe Pipik, could it be because when I piss, I aim into the gutter, but when you piss, you aim at my sable coat?”
    — MZ

Manneken Pis, Brussels, Belgium

sexy ghost

Dec. 21st, 2004 06:29 pm
larvatus: (rock)
    Rachel called again today. She asked why Michael didn’t pick up the phone last night. She asked whether he used a condom. Michael declined her gambit.
    Rachel has memorable tits. Michael never turned down an opportunity to fondle them. But Rachel is no good on the phone. This connection is too slight to permit feeding and fucking. Only the excuses remain. That is not enough.
    She cannot understand why a good woman like herself cannot find a good man. Michael explains that she is addicted to misery. Rachel will do whatever it takes to keep herself unhappy. Her efforts to connect with Michael fall under this rubric. She flees to squelch the intimacy. She comes back to maintain the tension. She conjures up the reasons for her discontent. Michael is not of this world. He thinks too much. He will not go forth to shake hands and make deals.
    Rachel likes being fed and fucked. That is the only way to stop her complaining. Michael played along for two years. Then Rachel got pregnant. At first, she seemed excited. She was going to have the child. Michael was looking forward to being a father. Three weeks into it, Rachel exploded at Michael. She ran out of his house screaming. Michael tried to calm her down. Later on, Rachel called Michael’s mother and told her that she had a miscarriage. She refused to speak to Michael. On Wednesday he came to her doorstep with his father. They pleaded with Rachel to talk things over. She did not respond. The next day she had an abortion.
    Afterwards she begged Michael to come back. On Sunday night he came to see her. Rachel was in bed. Her roommate’s toy dog had a hardon. He ran after Michael, trying to hump his foot. Rachel asked Michael to lie down next to her. She wanted to feel his cock inside her. Rachel explained that her cunt was sore from miscarriage. She laid on her stomach. Michael slid his cock up her ass. Rachel moaned. She liked feeling helpless under Michael. When they were done, she told him about the abortion. She wanted to try getting pregnant again. Michael walked out.

Edvard Munch, The Day After, 1894-1895, oil on canvas, 115x152cm

    For three days he remained inside, going out only to walk the dogs. On Wednesday afternoon, Michael’s parents came to visit. He was lying in his bed upstairs. He would not come down. Later on, Michael’s father called to invite him to a movie. Michael was not in the mood to be entertained. Later he changed his mind. He picked up two videos and headed to his parents’ apartment. He called them on the way. His mother said that his father was sleeping. Michael told her not to wake him up. He stopped at a Japanese restaurant. He ate yellowtail sashimi and headed west to watch the videos with his parents. On the way to their place, Michael stopped at a newsstand. He was leafing through motorcycle magazines when his cell phone rang. Christoph just saw Michael’s parents on TV. There was a fire.

William Blake, The House of Death, 1795/circa 1805, color print finished in ink and watercolour on paper support, 485x610mm

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